GOLOB, S. R. (2002) The Pinochet Case: ‘‘Forced to Be Free’’ Abroad and At Home

DATE
 TITLE AUTHOR TYPE

2002

 The Pinochet Case: ‘Forced to Be Free’ Abroad and at Home Stephanie R. GOLOB Article

RIOS, Luis (2008): Sacral fusion as an aid in age estimation

RIOS, Luis (2008): Sacral fusion as an aid in age estimation
Forensic anthropology population data
Sacral fusion as an aid in age estimation
Luis Ríos a, Katy Weisensee, Carme Rissech

Forensic Science International 180 (2008)

ETXEBERRIA GABILONDO, Francisco (2008): Exhumando Fosas, recuperando dignidades

ETXEBERRIA GABILONDO, Francisco (2008): Exhumando Fosas, recuperando dignidades

Exhumando Fosas, recuperando dignidades – Exhuming Mass Graves, Recovering Dignity

BIBLID 1989-2012 (2008), 9; 137-138

Verdad, justicia y reparación son los tres pilares básicos en los que asienta cualquier proceso de política en materia de derechos humanos. La Sociedad de Ciencias Aranzadi, desde una posición técnica ha contribuido a aportar información para el conocimeinto de la verdad.

GOLOB, Stephanie R. (2002): Forced to Be Free: Globalized Justice, Pacted Democracy, and the …..

GOLOB, Stephanie R. (2002): Forced to Be Free: Globalized Justice, Pacted Democracy, and the …..

Forced to Be Free:  Globalized Justice, Pacted Democracy, and the Pinochet Case

Democratization, vol. 9, no. 2 (Summer 2002):  21-42.

GOLOB, Stephanie R. (2002): The Pinochet Case: ‘Forced to Be Free’ Abroad and At Home

GOLOB, Stephanie R. (2002): The Pinochet Case: ‘Forced to Be Free’ Abroad and At Home

The Pinochet Case:  ‘Forced to Be Free’ Abroad and At Home

Democratization, vol. 9, no. 4 (Winter 2002):  25-57.

ROBBEN, Antonius C. G. M. (2005): How traumatized societies remember: The aftermath of Argentina’s..

ROBBEN, Antonius C. G. M. (2005): How traumatized societies remember: The aftermath of Argentina’s..

How traumatized societies remember: The aftermath of Argentina’s dirty war

Cultural Critique 59 (Winter 2005)
Copyright 2005 Regents of the University of Minnesota

FERNÁNDEZ DE MATA, Ignacio (2004): The “Logics”of Violence and Franco’s Mass Graves…….

FERNÁNDEZ DE MATA, Ignacio (2004): The “Logics”of Violence and Franco’s Mass Graves…….

The “Logics”of Violence and Franco’s Mass Graves. An Ethnohistorical Approach

International Journal of the Humanities
Volume 2, Number 3 (2004)

FERNÁNDEZ DE MATA, Ignacio (2007): El surgimiento de la memoria histórica. Sentidos, malentendidos..

FERNÁNDEZ DE MATA, Ignacio (2007): El surgimiento de la memoria histórica. Sentidos, malentendidos..

El surgimiento de la memoria histórica. Sentidos, malentendidos y disputas.

Capítulo IX del libro: Díaz Viana, L.-Tomé Martín, P. (coords.). 2007. La tradición como reclamo. Antropología en Castilla y León. Salamanca: Consejería de Cultura y Turismo, Junta de Castilla y León. Págs. 195-208. ISBN: 978-84-9718-476-2

BAER, Alejandro (2001): Consuming history and memory through mass media products

BAER, Alejandro (2001): Consuming history and memory through mass media products

European Journal of Cultural Studies, November 2001; vol. 4, 4: pp. 491-501.

SAGE Publications

The representation of the past through products of the ‘culture industry’ bears the history of a long debate between detractors and optimists. This controversy becomes especially significant in a time where commercial audiovisual media affect in unprecedented ways the content and the form in which massive audiences relate to the events of the past. Even more so in a so-called postmodern moment in which public confidence in the real is overall in decline. In this context, the debate on the representation of the history and memory of the Holocaust – the paradigmatic example of limitations and imperatives to representational practice – has become a contemporary battlefield regarding the legitimacy and propriety of mass media products. By examining contemporary Holocaust representations that are at the intersection between the world of commercial mass media and the conventional nonfiction culture and documentary tradition (such as high-tech museums and Steven Spielberg’s Survivors of the Shoah Visual History Foundation), this article will reflect upon the diverse implications of the mass media–history relation.