GOLOB, Stephanie R. (2002): The Pinochet Case: Forced to Be Free Abroad and At Home
The Pinochet Case: Forced to Be Free Abroad and At Home
Democratization, vol. 9, no. 4 (Winter 2002): 25-57.
ROBBEN, Antonius C. G. M. (2005): How traumatized societies remember: The aftermath of Argentinas..
How traumatized societies remember: The aftermath of Argentinas dirty war
Cultural Critique 59 (Winter 2005)
Copyright 2005 Regents of the University of Minnesota
FERNÁNDEZ DE MATA, Ignacio (2004): The Logicsof Violence and Francos Mass Graves…….
The Logicsof Violence and Francos Mass Graves. An Ethnohistorical Approach
International Journal of the Humanities
Volume 2, Number 3 (2004)
FERNÁNDEZ DE MATA, Ignacio (2007): El surgimiento de la memoria histórica. Sentidos, malentendidos..
El surgimiento de la memoria histórica. Sentidos, malentendidos y disputas.
Capítulo IX del libro: Díaz Viana, L.-Tomé Martín, P. (coords.). 2007. La tradición como reclamo. Antropología en Castilla y León. Salamanca: Consejería de Cultura y Turismo, Junta de Castilla y León. Págs. 195-208. ISBN: 978-84-9718-476-2
BAER, Alejandro (2001): Consuming history and memory through mass media products
European Journal of Cultural Studies, November 2001; vol. 4, 4: pp. 491-501.
SAGE Publications
The representation of the past through products of the culture industry bears the history of a long debate between detractors and optimists. This controversy becomes especially significant in a time where commercial audiovisual media affect in unprecedented ways the content and the form in which massive audiences relate to the events of the past. Even more so in a so-called postmodern moment in which public confidence in the real is overall in decline. In this context, the debate on the representation of the history and memory of the Holocaust the paradigmatic example of limitations and imperatives to representational practice has become a contemporary battlefield regarding the legitimacy and propriety of mass media products. By examining contemporary Holocaust representations that are at the intersection between the world of commercial mass media and the conventional nonfiction culture and documentary tradition (such as high-tech museums and Steven Spielbergs Survivors of the Shoah Visual History Foundation), this article will reflect upon the diverse implications of the mass mediahistory relation.
MARTÍN-CABRERA, Luis and NAOMI VOIONMAA, Daniel (2007)
CLASS CONFLICT, STATE OF EXCEPTION AND RADICAL JUSTICE IN MACHUCA BY ANDRE´S WOOD
CJLA 21560723/1/2007267807
L A T I N AMERICAN CULTURAL STUDIES
Routledge Taylor and Francis Group
In this essay we will explore a series of theoretical and political problems through the reading of the film Machuca, directed in 2004 by Andre´s Wood. The aim of our analysis is to tackle these questions in light of the success and the debates promoted by the film in Chile and abroad. Machuca is framed around the last days of the UP (Unidad Popular) government of Salvador Allende in 1973.
ETXEBERRIA GABILONDO, Francisco (2008): Contribution of forensic genetics to the recovery of …..
Contribution of forensic genetics to the recovery of historic memory of the Spanish Civil War
S. Cardoso, F. Etxeberria, M.A. Alfonso-Sánchez, A.M. Pérez-Miranda, A. Odriozola, L. Valverde, E. Sarasola d, J.A. Peña, M.M. de Pancorbo
Forensic Science International: Genetics Supplement Series 1 (2008) 454456
RIOS, Luis (2008): Sacral fusion as an aid in age estimation
Forensic anthropology population data
Sacral fusion as an aid in age estimation
Luis Ríos a, Katy Weisensee, Carme Rissech
Forensic Science International 180 (2008)
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2001 |
Consuming history and memory through mass media products | Alejandro BAER | Article |
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November 2006
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After the Massacre: Commemoration and Consolation in Ha My and My Lai | Heonik Kwon | Book |
Abstract: though a generation has passed since the massacre of civilians at My Lai, the legacy of this tragedy continues to reverberate throughout Vietnam and the rest of the world. This engrossing study considers how Vietnamese villagers in My Lai and Ha My—a village where South Korean troops committed an equally appalling, though less well-known, massacre of unarmed civilians—assimilate the catastrophe of these mass deaths into their everyday ritual life.
Based on a detailed study of local history and moral practices, After the Massacre focuses on the particular context of domestic life in which the Vietnamese villagers interact with their ancestors on one hand and the ghosts of tragic death on the other. Heonik Kwon explains what intimate ritual actions can tell us about the history of mass violence and the global bipolar politics that caused it. He highlights the aesthetics of Vietnamese commemorative rituals and the morality of their practical actions to liberate the spirits from their grievous history of death. The author brings these important practices into a critical dialogue with dominant sociological theories of death and symbolic transformation.
Editorial: University of California Press