The fall of the United Nations “safe area” of Srebrenica in July 1995 to Bosnian Serb and Serbian forces stands out as the international community’s most egregious failure to intervene during the Bosnian war. It led to genocide, forced displacement, and a legacy of loss. But wartime inaction has since spurred numerous postwar attempts to address the atrocities’ effects on Bosnian society and its diaspora. Srebrenica in the Aftermath of Genocide reveals how interactions between local, national, and international interventions – from refugee return and resettlement to commemorations, war crimes trials, immigration proceedings, and election reform – have led to subtle, positive effects of social repair, despite persistent attempts at denial. Using an interdisciplinary approach, diverse research methods, and more than a decade of fieldwork in five countries, Lara J. Nettelfield and Sarah E. Wagner trace the genocide’s reverberations in Bosnia and abroad. The findings of this study have implications for research on post-conflict societies around the world.

ROCÍO ha pasado a la historia como la primera película secuestrada judicialmente en España tras la derogación de la censura cinematográfica en 1977. Dirigida por Fernando Ruiz Vergara, con guión y producción de Ana Vila, y estrenada en 1980, a día de hoy continúa censurada por la sentencia vigente del Tribunal Supremo de 1984 que condenaba a su autor por delitos de injurias a quien la película apuntaba como cabecilla de la brutal represión en el pueblo de Almonte, cuna de la Romería de la Virgen del Rocío, durante el golpe militar de 1936.